Macson McGuigan while working on a film for the non-profit North Florida Land Trust. The senior environmental sustainability and digital media major was recently named one of 12 North American Nature Photography Association (NANPA) College Scholars, the second 91短视频 student to win the prestigious award. (Photo by Jessica Hadley)

Second 91短视频 student wins prestigious conservation photography scholarship

Macson McGuigan, a senior and major at 91短视频 (91短视频), was recently named one of 12 (NANPA) College Scholars. He is the second 91短视频 student to win the scholarship.

Macson McGuigan (left) works with fellow scholar Aaron Pomerantz, of UC Berkeley, on composing a photo. (Photo by Marc A. Larson)

The prestigious award enabled McGuigan to attend NANPA鈥檚 in Jacksonville, Florida, from Feb 26-March 4.

鈥淭his is an opportunity of a lifetime,鈥 says Professor , who teaches and encouraged McGuigan to apply. 鈥淢any former scholars who have received this scholarship are now widely recognized in the nature/conservation photography world as explorers, filmmakers and leaders. NANPA鈥檚 president, Clay Bolt, has called this opportunity a 鈥榗areer-maker.鈥欌

Johnson’s course is one of two in the United States highlighted by ; the other is taught at Stanford University.

In addition to summit registration and admission, McGuigan’s scholarship paid for room and board, three years of association membership, a professional portfolio review, and special opportunities to network with mentors.

But the most unique feature of the award is the opportunity to participate in a 鈥渇ield-based storytelling project鈥 for an area client. Because the summit moves to different locations every other year, clients bring scholarship participants and the professionals who help into many locales.

Scholars and instructors gather around a computer to examine images at the NANPA Summit. McGuigan is second from right, bottom row. (Photo by Marc A. Larson)

McGuigan joined other scholarship winners and a crew of professionals, among them a National Geographic Society Young Explorer and a doctoral researcher in evolutionary biology, to produce a film for the non-profit North Florida Land Trust. The six-minute film, posted below, features the organization’s 鈥淥2O鈥 campaign to connect the Ocala and Osceola National Forests with a wilderness corridor of undeveloped land.

The group spent three days filming 鈥渇rom sun-up to sun-down鈥 in both national forests, on the Camp Blanding military reservation and with private landowners within the proposed corridor.

鈥淲e went to three springs, which are really valuable for clean drinking water in Florida,鈥 says McGuigan. 鈥淲e also saw longleaf pine ecosystems, sandpine scrub, flatwoods, sandhill, swamps, wet prairies 鈥 a bunch of really beautiful, unique ecosystems.鈥

The team shot footage of endemic scrub jays, spotted turtles and various snakes and lizards. McGuigan was one of two photographers who worked together for 45 minutes to capture 鈥渁round five seconds of usable footage鈥 of the red-cockaded woodpecker. He says the team was 鈥渄ramatically spoiled鈥 by the half a million dollars of state-of-the-art equipment donated by Canon.

Macson McGuigan uses one of 91短视频鈥檚 4K video cameras to record the view from Reddish Knob for his senior project. (Photo by Steven David Johnson)

Despite only three to four hours of sleep each night as they edited and compiled their work, he called the experience 鈥渢he greatest week ever.鈥

After a screening at the conference, the film will be used in the North Florida Land Trust鈥檚 campaign to advocate land easements to private landowners in the proposed corridor.

鈥淚t was just a wonderful opportunity to build a portfolio and do this kind of work. The conference was great because we got to meet with photographers who are icons in the conservation photography industry,鈥 says McGuigan.

McGuigan returns from the experience in Florida invigorated for an ongoing project that is serving as his senior practicum and senior art show for his two majors: an advocacy video for 鈥檚 National Scenic Area proposal.

He鈥檒l be shooting in the field as well as interviewing landowners, organizers, and naturalists.

鈥淭his is the work I want to do in my future,鈥 he said. 鈥淚 would call it digital storytelling, with a focus in environmental issues.鈥