{"id":40022,"date":"2018-10-10T11:29:48","date_gmt":"2018-10-10T15:29:48","guid":{"rendered":"https:\/\/emu.edu\/now\/news\/?p=40022"},"modified":"2018-12-17T15:51:14","modified_gmt":"2018-12-17T20:51:14","slug":"a-haitian-reed-wozo-inspires-resilience-and-the-music-of-sopa-sols-wozo-performances","status":"publish","type":"post","link":"https:\/\/emu.edu\/now\/news\/2018\/a-haitian-reed-wozo-inspires-resilience-and-the-music-of-sopa-sols-wozo-performances\/","title":{"rendered":"A Haitian reed \u2013 wozo \u2013 inspires resilience and the music of Sopa Sol\u2019s \u2018Wozo\u2019 performances"},"content":{"rendered":"

The destructive forces of wind, flood or machete do not defeat the resilient Haitian reed <\/span>wozo<\/span><\/i>. Instead, they only make way for it to grow back stronger. <\/span><\/p>\n

There\u2019s even a proverb that Daryl Snider learned in his years of service in Haiti: \u201cWe are wozo. We bend, but we do not break.\u201d<\/span><\/p>\n

It\u2019s also what Snider and Frances Crowhill Miller call their music- and story-based performances that explore grief and loss, trauma healing, resilience, restorative justice, and structural justice and the legacy of colonialism. They first performed <\/span>Wozo: Songs for Resilience<\/span><\/a> in 2014, and released a CD with that title in 2015.<\/span><\/p>\n