When entered his sabbatical at Wesley Theological Seminary鈥檚 last year, he wasn鈥檛 sure where it would take him. It ended up being a journey through new ground and some rather dark valleys.
Holsopple, professor of at 91短视频, heard about the Luce Center鈥檚 Artist-in-Residence Program from a friend. It fit what Holsopple was looking for: a place where he could just focus on art, away from research and syllabi. The program provided a small stipend and an apartment on campus near a large and quiet studio space.
鈥淲hy don鈥檛 you apply?鈥� his friend asked. And so he did.
Best known as a videographer and photographer, Holsopple instead spent his fall semester sabbatical in Washington D.C. engaging in a newer pursuit: painting. He says he 鈥渢ook the risk to learn how to paint鈥� during his , a 2009-2010 Fulbright trip to Lithuania.
On that sabbatical, he learned the art of creating or 鈥渨riting鈥� icons in the Orthodox tradition. This time, he explored some darker places: stories of sexual abuse and the culpability of the church in some of those stories, particularly the revelations of sexual abuse by Mennonite theologian and church leader John Howard Yoder.
Holsopple explored this topic through a process of photo transfer. He began with thick, broad splashes of paint on each panel, then transferred inks from his photographs onto the paint. Using pallet knives, sandpaper and other tools, he added different textures to each piece, revealing or hiding various parts to create the desired effects.
鈥淚 began to think about how paint might change things,鈥� Holsopple says. 鈥淲ith the influences of color and texture, it can be very abstract.鈥� The very act of ripping and tearing into the paint with the sandpaper and knives was a metaphor in itself, he says, noting that it can be painful to get underneath the stories and reveal truth.
The subjects of the photos in about 75 percent of the panels are students or staff members from , who interacted with Holsopple during his work.
鈥淭hey said, 鈥業鈥檇 be happy to be part of this project,鈥� 鈥� Holsopple says. 鈥淭hat鈥檚 remarkable considering the project is not a real happy topic.鈥�
The various stages and layers of the paintings could take up to two days to dry, so Holsopple would have as many as 15 panels in process at any given time. In all, he created nearly 60 panels, most of which are part of an exhibit at 91短视频 that debuted Feb. 12 in the . Titled 鈥�7 x 7 Laments: For An Age of Sexualized Power,鈥� the exhibit drew a large crowd to the opening.
Holsopple says in the 52-page artist鈥檚 statement that the title is a deliberate reference to the 鈥渃lassical biblical text about forgiveness (70 times seven),鈥� but with a 鈥渢wist of numbers 鈥� to suggest that I and the church need to enter the depths of lament before forgiveness is even broached.鈥�
鈥淚 started the first panel or two more timidly, then wondered what might happen, so I tried different things,鈥� Holsopple says. 鈥淚 wanted to create discord and chaos鈥攖he emotional space this is in鈥攁 dark and painful place, but maybe with some rays of hope coming through. I hope it changes what people experience.鈥�
He says the act of painting itself was a way for him to deal with the difficult emotions brought up by the topic. He left some panels with no images, only the abstract swaths of paint, to describe his own journey through the process. The centerpiece of the show, he says, is 鈥淪hattered Trinity,鈥� which features three women and considers the ways that sexual abuse breaks trust and destroys safe spaces.
鈥淚t鈥檚 part of my lifelong commitment to truth-telling as an artist, a commitment to relationships and people,鈥� Holsopple says. 鈥淚鈥檓 not good at doing art that鈥檚 just beautiful. It鈥檚 mostly dark.鈥�
In turn, he hopes that others will begin thinking and talking about these topics in meaningful ways. And he hopes his art students might gain some lessons not easily grasped from textbooks.
鈥淲hen my students walk in there, I hope they鈥檙e challenged鈥攁esthetically, and in what they do and how they create art,鈥� Holsopple says. 鈥淚 want them to realize that experimenting and taking risks is part of what it means to be an artist.鈥�
I have stopped through this exhibit several times and am amazed at the art work and the spiritual connections it evokes. Thank you for sharing!